Figure skaters can use music with lyrics: ice dancers have been allowed vocals since the 1997-98 season, and singles and pairs skaters since 2014-15. Today the rules that shape a skater's music are mostly about time limits, each discipline's requirements, and music rights, which is exactly where the 2026 Olympics got messy.
Key takeaways
- Lyrics are allowed in every ISU discipline: ice dance since 1997-98, and singles and pairs since the 2014-15 season.
- Senior short programs run 2:40, rhythm dances 2:50, and free programs 4:00, each with 10 seconds of leeway.
- Ice dancers must also match the season's rhythm dance theme, and music that misses the requirements draws a deduction.
- Since 2024 the ISU has worked with ClicknClear to license and verify skaters' music, and rights clearance caused real drama in Milan.
Figure skating has music rules that most casual viewers never think about. For decades, singles and pairs skaters couldn't use a single sung word, which is why so many classic programs are wall-to-wall orchestra. That rule is long gone, but music still comes with strings attached, and at the 2026 Olympics those strings tangled in very public ways.
Why music matters in figure skating
Music isn't background noise in figure skating; it's part of what gets judged. The right piece can lift a program from good to unforgettable, and the wrong one can undercut even excellent technique. That's why skaters and coaches spend months, sometimes longer, hunting for the right music before a single step is choreographed.
Judges reward how well a skater's movement matches the tempo, mood, and structure of the music, mainly through the presentation and composition marks in the program components. The music also shapes the program design, because its peaks and pauses decide where the jumps and spins can go, and it drives the choreography in between. Our guide to figure skating scoring explains how those component marks work.
The best skaters don't just skate to the music; they skate with it. Every movement builds on the musical structure, so the program reads as one piece rather than a list of elements with a soundtrack. You can feel the difference from the stands even if you couldn't name a single element.
The lyric rule and how it ended
For most of the sport's history, singles and pairs skaters had to perform to instrumental music, and vocals were off the table. That pushed skaters toward classical pieces, film scores, and instrumental arrangements, and it created a whole niche of music made for skating. If you grew up watching skating in the 1990s or 2000s, this is why nearly every program sounded like a movie soundtrack.
Ice dance changed first. Dancers were allowed vocal music from the 1997-98 season, when the ISU required a jive for the original dance and there wasn't enough instrumental jive music to go around. Singles and pairs followed in the 2014-15 season, under a rule change accepted at the 2012 ISU Congress, and the 2018 PyeongChang Games were the first Olympics where skaters in every discipline could use lyrics.
Since then, vocal music has become ordinary at every level, from pop covers to musical theater to rock. Skaters still choose instrumental music plenty of the time, but now it's a choice rather than a requirement.
The ISU music rules today
With lyrics allowed, the rules that matter most are about length and discipline requirements. Every program has to fit its time limit, and the ISU sets those limits by segment. The table below shows the senior limits used at the Olympics and other ISU championships.
| Segment | Disciplines | Length |
|---|---|---|
| Short program | Men's and women's singles, pairs | 2:40 |
| Rhythm dance | Ice dance | 2:50 |
| Free skate or free dance | All four disciplines | 4:00 |
Ice dance adds another layer. The rhythm dance must follow a theme the ISU sets each season (for 2025-26 it was the music, dance styles, and feeling of the 1990s), and music that doesn't meet the requirements draws a deduction. Editing is allowed in every discipline, so skaters cut and splice pieces to fit their time and their choreography. Our guide to every figure skating event at the Olympics explains how the rhythm dance and free dance fit together.
These rules apply to ISU competitions and to national events that follow them, including U.S. Figure Skating competitions. If you're skating for fun at a public session or practicing on your own, you can skate to anything you like, lyrics, spoken word, and all.
Copyright challenges and the 2026 Olympics
Allowing lyrics opened a huge library of popular music, and with it a problem skating never had to deal with when programs were mostly classical: copyright. Just because a song is released doesn't mean a skater can use it in competition, because the rights holders have to agree. Since 2024 the ISU has worked with ClicknClear, a licensing platform that lets skaters license music and lets federations verify that it's cleared.
Milan showed how fragile that system still is. Spain's Tomàs-Llorenç Guarino Sabaté learned just days before the Games that he couldn't use the "Minions" medley he had skated to all season, because Universal had questions about the music and his Minions-inspired costume. The approval finally came through before the men's event, and he got to skate the program in Milan.
The other music story of the Games was artificial intelligence. Czech ice dancers Kateřina Mrázková and Daniel Mrázek performed their rhythm dance partly to AI-generated music, which doesn't break any ISU rule but drew heavy criticism, including complaints that the track closely resembled an existing Bon Jovi song. It's a debate the sport is only starting to have.
Clear the rights before you choreograph
If you compete, sort out your music license before you spend months building a program around it. Ask your coach and your federation which licensing channels they accept, and don't assume a song is usable just because it's on Spotify.
How skaters choose their music
Most skaters and coaches start with the mood and energy they want: elegance, power, comedy, or drama. From there they search classical recordings, skating music libraries, film and theater soundtracks, dance and ballet scores, and sometimes commissioned original compositions. The shortlist then has to survive the practical questions.
Once a piece looks promising, the real work begins. Does the tempo suit the skater's technical ability, can the jumps land where the music peaks, and does the pacing leave room for meaningful transitions? Many skaters try several pieces before finding "the one," and the whole process starts again when a program gets old. Here's our rough guide to how long each stage tends to take.
| Stage | Typical time | Focus |
|---|---|---|
| Song search | 1-3 weeks | Finding candidates that match the program concept |
| Testing | 2-4 weeks | Deciding whether the music actually works on the ice |
| Choreography | 3-8 weeks | Working with a choreographer to set the moves to the music |
| Program building | Ongoing | Practicing until it becomes second nature |
Adult skaters go through the same process, and many say choosing music is one of the most rewarding parts of building a program. If you're picking your first competition piece, start with something you love hearing on repeat, because you're about to hear it a few hundred times. Our roundup of figure skating at the 2026 Olympics is full of programs worth borrowing ideas from.
Sources
The rules in this guide come from the ISU and U.S. Figure Skating documents below, and the Olympic stories from contemporary news coverage. The ISU updates its rules most seasons, so check the current documents before relying on any single number.
- ISU Communication 1741, Single & Pair Skating changes accepted by the 54th ISU Congress (2012): vocal music with lyrics permitted from 2014-15.
- ISU Special Regulations & Technical Rules, Single & Pair Skating and Ice Dance: program lengths and music requirements.
- ISU Communication 2704, Ice Dance requirements for the 2025-26 season: the 1990s rhythm dance theme.
- U.S. Figure Skating, 2024-25 ice dance deductions for the rhythm dance and free dance: music requirement violations.
- The Associated Press, reporting on Tomàs-Llorenç Guarino Sabaté's "Minions" music clearance, February 2026.
- TechCrunch, reporting on the Czech ice dancers' AI-generated music, February 2026.
- Music Week, ClicknClear signs choreographed performance sports licensing deal with Warner Chappell.




1 comment
Would love to recommend my jazz ensemble’s upbeat arrangement of George Michael’s tune “Careless Whisper” for a skating routine. I can truly envision this as the perfect skating exhibition piece! To listen, one can copy and paste this link: https://www.youtube.com/watch?v=ma3cuxd_Q24 OR just type in: Careless Whisper – Mim Eichmann – youtube.